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January

by Anny Celsi

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  • Compact Disc (CD) + Digital Album

    Her style has been described as “beatnik cool,” “pop-noir,” and “slightlydelic pop jangle.” Anny’s latest album once again combines Brill Building hooks with a storyteller’s eye for detail.

    PAY WHAT YOU WANT! The value of music is up to you!

    All physical CD/album orders of 2 or more ship with BONUS Anny Celsi Live EP - a selection of solo and group performances from The Alberta Rose Theater (Portland, OR, 2013), Vestzak Theater (Enschede, The Netherlands, 2011) and The Stables (Boskoop, The Netherlands,2014), Featuring Tish Hinojosa, Marvin Duykhuis, Nelson Bragg and Roland Wolff. Limited edition, while supplies last!

    NOTE: Live CD available ONLY with orders shipped from the US.

    Includes unlimited streaming of January via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 7 days
    edition of 1 

      $3 USD or more 

     

  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Purchasable with gift card

      $7 USD  or more

     

  • Full Digital Discography

    Get all 5 Anny Celsi releases available on Bandcamp and save 20%.

    Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Kaleidoscope Heart: 12 Golden Hits, January, Tangle-Free World, Little Black Dress and Other Stories, and She Walks In. , and , .

    Purchasable with gift card

      $28 USD or more (20% OFF)

     

1.
The day is nearly over The party’s just begun We walk the quarter arm in arm with Napoleon I hear the sound of singing I turn to see someone She’s just a shadow to us A song that passes through us The gentlemen were charming Your kiss was so disarming I’m leaving in the morning Au revoir, my darling I’m leaving in the morning Au revoir, my darling He’s dreaming in the parlor The air is sweet and sad She blows the candle out, and it’s the only one he had Her picture’s on the mantle The letter’s in his hand She left it lying here The ink’s been dry for years The gentlemen were charming Your kiss was so disarming I’m leaving in the morning Au revoir, my darling I’m leaving in the morning Au revoir, my darling There’s nothing to forgive Don’t bother following The river swallows everything The river swallows everything The night is nearly past And we’re the last ones wandering We wrap the city round us like a pair of angel’s wings I hear the church bells chiming (Timing is everything) A song it comes unbidden The words already written The gentlemen were charming Your kiss was so disarming I’m leaving in the morning Au revoir, my darling I’m leaving in the morning Au revoir, my darling I’m leaving in the morning Au revoir, my darling
2.
Travelogue 03:46
Riding in a London cab to the restaurant Gonna see some brand new friends and have a pint Gazing at the evening sky Watching as the clouds go by Wonder if the planes will fly tonight Going to the record store for the last time We need a little music to take us home Walking down the street with you I stumble like I always do Baby don’t you leave me alone Living at the airport, waiting for the wind to change Waking up to see which way it’s blown Clouds across the tv set Almost made us both forget We’re flying through a dark cloud of our own (Vocal nonsense) Trying to buy a ticket for the last boat out We gotta find a way across the sea It isn’t quite the trip we planned It isn’t where we thought we’d land But isn’t that just like you and me Living at the airport, waiting for the wind to change Waking up to see which way it’s blown Clouds across the tv set Almost made us both forget We’re flying through a dark cloud of our own (Flute nonsense) Living at the airport, waiting for the wind to change Waking up to see which way it’s blown Clouds across the tv set Almost made us both forget We’re flying through a dark cloud of our own
3.
You brought your smile And plugged it in the wall We couldn’t help but be charmed Slight sleight of hand Meant to beguile No reason to be alarmed But I didn’t know there were already ghosts in the room I didn’t know there were already ghosts in the room You brought your smile And held it all the while We let the music play on Now I recall The way your light would fail The moment the curtain was drawn But I didn’t know there were already ghosts in the room I didn’t know there were already ghosts in the room Calling to you A hand on the strings A voice in the air I know the moment has passed What would I give To whisper in your ear And tell you I hear you at last I didn’t know there were already ghosts in the room I didn’t know there were already ghosts in the room Calling to you
4.
Wouldn’t it be wrong To not look for love When we know it’s right where we can find it But we can’t get beyond The crashin and the cryin The losin and the lyin behind it You are far away, but you hang on my heart Like a string of cut pieces of glass Shining so brightly Beautiful and sharp Then breaking inside me Kaleidoscope heart I’m starting to believe Dreaming is for lovers The rest of us just hover on the edges Tugging on their sleeves Pulling at the covers Hungry for the peace we imagine I could slip away, but you hang on my heart Like a string of cut pieces of glass Shining so brightly Beautiful and sharp Then breaking inside me Kaleidoscope heart Day after day, you hang on my heart Like a string of cut pieces of glass Shining so brightly Beautiful and sharp Then breaking inside me Kaleidoscope heart
5.
Sank without a bubble, how could anybody get so lost? But I miss my little rebel and all the trouble that he caused Down below the surface where your sins are all erased In the swamps of New York City I go searching for his face It’s so easy to lose somebody, every time that you close your eyes One more door that you just can’t open, I’ve tried I’ve tried His kisses were like whiskey and his heart was like a spoon I could take a little taste, but he cut me off too soon In the days of wine and roses, back when no one counted shots Some of us survived those years Some of us did not It’s so easy to lose somebody when you’re both on that downhill slide You can’t stop them and you can’t save them, I’ve tried I’ve tried It’s so easy to lose somebody, every time that you turn around How can anyone find somebody who won’t be found? I got a letter from Chicago postmarked nineteen-eighty-nine Sayin, Baby’s in the bottle and I can’t get out this time Was he too much trouble? I let him slip between the cracks But I love my little rebel, now I want my baby back It’s so easy to lose somebody in the cold-hearted light of day When your lovers turn into shadows and fade away And fade away….
6.
Wait 04:43
Wait til the snow falls down on your doorstep Wait til the branches make cracks in the sky Wind by your window screams while you're sleeping You live near your fire as the winter blows by Wait til the sidewalk shivers the beggars Wrapped in their blankets they try to hold on Light from the streetlamp seems to shine bitter After the autumn has been here and gone God help the lost and lonely God help the poor Cold days and ice nights only Hard times for sure Hard times for sure Wait til the winter makes it all brittle Colors all fade and the earth seems to die Black chimneys coughing, landlords are hiding No one can find them, it's useless to try Wait til the river freezes up solid Way up the line and the boats are all stuck Graham the gambler tries to make sense He's far from his home and he's down on his luck God help the lost and lonely... Dancers and snow queens handsome and lovely Skate on the lake and fall deeply in love Silver skates gliding, faces all glowing Smooth and warm fingers and thumbs in their gloves God help the lost and lonely...
7.
Let’s go down to the corner, lets get a tree Let’s pick the tallest one we see And as we drag it home imagine we could be In the pines, in the pines In the Christmas of my mind In the pines, in the pines We walk through dirty streets, the billboards light our way This noisy neon holiday Wish I could take you to a Christmas far away In the pines, in the pines Where only moonlight shines In the pines, in the pines In the Christmas of my mind Can you picture me, a girl of eight or nine My father walking through the snow, me behind Let’s climb the hill and pick the tallest one we find In the pines Can you picture it – the quiet of the snow Grandfather takes your hand and up the hill you go Wish I could take you to the Christmas that I know In my mind Let’s go down the the corner and let’s pretend That we’re surrounded by a forest without end I close my eyes and breathe it in, and once again I’m in the pines, in the pines Where only moonlight shines In the pines, in the pines In the Christmas of my mind In the pines, in the pines Moonlight shines In the pines, in the pines Moonlight shines
8.
Citybird 02:33
Beat your wings against the buildings Beat your heart against the street Tree to tree, and sill to sidewalk Heart and wings, together beat Hide your children in the subway Build your nest with scattered words Day-old news, discarded letters Nothing’s worthless in your world Citybird, citybird, do your sisters know you’re here? Far away from field and forest Singing songs they cannot hear Citybird, citybird, there’s a reason that you’re here There’s a sun each day to sing to A shadow who might hear Beat your wings against the buildings Beat your heart against the street Tree to tree, and sill to sidewalk Heart and wings, together beat

about

“…familiar styles -sunshine pop, country flavored rock -but done with a fresh approach and melodies that sound like instant hits.” – Andrew Gladwin, Cabin Essence

“A classy and enduring slice of laid-back pop” – Steve Ferra, Absolute Powerpop

“Anny Celsi…has been churning out first-class handmade music with songs that run deep enough to appeal to the folk & roots crowd while the arrangements are a far cry from morose traditionalism. With her mellifluous, well-tempered voice with a subtle hint of melancholia, Celsi draws us in while her poetic lyrics touch upon travel experiences, relationships and personal matters…What I’m trying to say: Anny Celsi is an original artist with a unique sound.” – Thomas Dewers, Chill@Blue Rose

“Fans of Aimee Mann, Lucinda Williams, Suzanne Vega and Jackie DeShannon will find much to enjoy … the tracks on January turn back the clock to a time when pop music was taken seriously” – Kevin Mathews, Today Online

“These are pop songs for which the phrase 'perfect pop song' was invented.” – Freddy Celis, Rootstime

“Zelden straalt een album zo’n karakter uit. ‘January’ is een veelzijdig album dat ook heel wat Americana liefhebbers zal bekoren.” – Philip Verhaege, Keys and Chords

An album is more than a collection of songs...it's a journey. This one starts in New Orleans, where a brush with a French Quarter ghost inspires a Motown-esque dusk-to-dawn escapade, complete with stacked horns, handclaps and heart-stomping background vocals. The next track, ‘Travelogue,’ carries us along on a real-life odyssey, a tour gone awry when Anny and Nelson Bragg were waylaid by the infamous ash cloud of the 2010 Eyjafjallajökull Volcano and found themselves stranded at Heathrow Airport for five days. The song and storytelling cycle continues with ghosts who haunt the corners of the recording studio, boys who yearn to run away and join the circus and the mystifying shards of our own broken-glass hearts – all woven together into a travelogue of risk, resilience and renewal. While the songs are mostly Anny’s originals, January’s winter landscape is completed by a beautifully haunting cover of an early Steve Forbert classic, “Wait.”

If you're a fan of Anny Celsi's pop noir storytelling, you'll want to add 'January' to your collection. If you haven't heard her music, start here, work your way backwards through the parade grounds and meet the rest of us behind the Tilt-A-Whirl. Don't bring a map.

credits

released May 31, 2013

In creating January, Anny has once again called upon the wealth of musical talent that Los Angeles offers. Kevin Jarvis, a well-respected producer/drummer who has played with Ben Vaughn, Shawn Mullins, Lucinda Williams, John Wesley Harding and Grant Lee Phillips, among others, played the drums and served as co-producer. Featured musicians include Kirk Swan (Dumptruck), Carl Byron (Michelle Shocked, Jim Lauderdale), 60’s chanteuse Evie Sands and Paul Lacques (I See Hawks in L.A.), local pop legend Adam Marsland (The Standells, Adam Marsland’s Chaos Band) and Bragg. Anny’s son Ivan Pyzow contributed horn, string and vocal arrangements that are steeped in Motown, New Orleans jazz, and classic pop vocal harmony style – amazingly, for someone just past voting age -- as well as trumpet, piano and that rare blend of voices that can only be found between family members.

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