Continuing in the pop-noir vein she mined on Little Black Dress, this album retains Anny's "beatnik cool" feel and storyteller’s eye for detail while expanding her musical landscape, with influences ranging from The Byrds to Burt Bacharach. Produced by Nelson Bragg.
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All physical CD/album orders of 2 or more ship with BONUS Anny Celsi Live EP - a selection of solo and group performances from The Alberta Rose Theater (Portland, OR, 2013), Vestzak Theater (Enschede, The Netherlands, 2011) and The Stables (Boskoop, The Netherlands,2014), Featuring Tish Hinojosa, Marvin Duykhuis, Nelson Bragg and Roland Wolff. Limited edition, while supplies last!
NOTE: Live CD available ONLY with orders shipped from the US.
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Streaming + Download
Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
What kind of statue would I be if this didn’t feel so good?
You in my life every day
Pulling my heart out to play
What kind of stone would say it doesn’t feel like love?
Little by little it all means a lot more than it should
Hands and fingers in my bath
Arms and legs across my path
Late nights and morning laughs – it sure feels like love
But now that the walls have come down
Guess what I’ve found
Now that the toybox is turned upside down
Now you can hurt me
Now you can hurt me
Now you can guess what I’ve found
Now you can hurt me
Once we were playing by the rules that I’ve learned so well
Act like you just don’t care
Don’t ever say it’s not fair
Baby I swear, I never meant to fall
But now we can’t go back again
Now that you’re in
Watch where you step, cause the ice on my heart is thin
Now you can hurt me
Now you can hurt me
Now you can guess what I’ve found
Now you can hurt me
credits
from Tangle-Free World,
released November 1, 2009
Anny Celsi Vocal
Nelson Bragg Drums, Percussion
Scott Bennett Piano, Organ
Paul Von Mertens Saxophones
Nick Walusko Electric Guitar
Dave Meshell P-Bass
Backing Vocals Evie Sands, Teresa Cowles, Anny Celsi
Backing vocals arranged by Anny Celsi
Horn arrangement by Paul Von Mertens
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